The Face of Grief: how rituals guide us through our darkest hours

Rituals are a poignant and necessary part of living. All living organisms make

meaning and initiate transition through rituals, whether it’s the male spider wrapping silk

around a gift to seduce the female for mating or the way Christians dunk themselves in

water as a sign of rebirth. It’s a kind of container in a distinct moment in time in which a

person or community declare something as set apart and sacred.

We are composed to make rituals, to mark and honor the seasons of our lives,

lest we become numb, preoccupied or forget where we have been. From birth to the

grave we will have known many joyful and grief stricken experiences, all of which are

worth beholding and then moving through with presence and intention. So, when there

is a dearth of meaningful actions pointing to and holding what we have been through in

this life, we often find ourselves uncontained and alone.

Grief is an experience, especially for Westerners, in dire need of ritual. The

Dagara tribe in West Africa hold elaborate grief rituals with such particular intention.

There are the mourners, the musicians and the containers. Those who mourn have the

opportunity to express as wildly and expressively as needed in the “chaos” space, which

is marked off in the funeral room and named as sacred. The musicians are tasked with

being attuned to the mourning, which will help steer the grieving. Then, the containers

watch and take care of those who are mourning. They prevent harm from happening

and care for the mourners as they see fit. Here is where grief in all of its forms is

accepted and honored. The mourners have witnesses and companions, containers and

creativity to guide their grief.

When I look at this model compared to the Western expression of grief and

funerals, I’m left dumbfounded and disappointed. Grief is silent and isolated here and

yet we are called as humans, as living organisms, to give voice and meaning to our

pain. We know we don’t need answers or platitudes, but rather people willing to enter

the chaos of death.

And ritual is the way to enter. It provides symbols, meaning, action and

containment for the lamenting. When we have our bodies engaged through our senses,

whether it’s loving touch, fragrances, listening to music, vocals that speak of the

unspeakable or seeing others lament, we deeply honor our suffering and who we have

lost. Similarly, when we have symbols and actions to describe what our grief feels like,

whether it’s breaking glass, ripping black cloth or throwing stones into the ocean, we

offer ourselves permission to plunge the darkest hours. Grief often intimidates us with

its hunger as though it will swallow us whole if we look at its face and step closer to it.

However, what I have found both in my mental health private practice and personal

experiences is that looking away keeps us gridlocked and powerless with grief. It

becomes distorted in which depression and isolation become the symptoms of unlived,

gridlocked grief.

That is why rituals become the place to begin signifying to yourself and those

around you this season of loss is one worth remembering and honoring, expressing and

moving through. There is no right way of creating a ritual. They don’t have to be

elaborate or overly produced, but they do require the risk in saying, “this is important,

worthy of marking and remembering…worthy of witnesses and deeming this season of

my life as sacred.” Will you join me in setting apart facets of our lives that deserve a

container so we can express what’s deep within us? Our grief is not meant for

sanitization or tempering, but released and freed—there is where we will find the

strength to live more fully alive.

Heather Stringer is a therapist, artist, and ritual maker. She is a Licensed Mental Health Counselor in Seattle, WA. She completed her M.A. in Counseling Psychology at The Seattle School of Theology and Psychology in 2010. She has since become specialized in trauma and abuse through her work at the Allender Center and performs regular community and individual rituals. She has 2 beautiful babies, Amos and Iona and a loving, brilliant husband, Jay.